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James “Frank” Orren, Jr. , 1947 – 2025

James “Frank” Orren, Jr., beloved husband, father, and dedicated community servant, passed away peacefully on Wednesday, December 3, 2025, in Charlotte, NC, after a decade-long battle with dementia.

Frank was born in 1947 in Reidsville, NC, to the late Marian and James Frank Orren, Sr. He was also preceded in death by his older sister, Anne B. Orren.

He served his country during the Vietnam War, enlisting in the U.S. Coast Guard and being stationed in Honolulu, where he received an honorable discharge. During his service, he married Linda Winstead (Orren) and upon returning to civilian life, they settled in Greensboro, NC. Frank dedicated more than 25 years to AT&T and its predecessor companies.. He was a committed member of his community, serving as a soccer coach, a swimming judge, and a member of the Knights of Columbus. He was known to all who met him as a friendly, good-humored, and helpful servant.

Following divorce, Frank moved to Lexington, NC. In 2001, he married Faye Hepler (Orren), becoming a devoted stepfather to Steve Hepler. After a brief retirement, he returned to work for ACS until his second retirement in 2012. He later was diagnosed with dementia and was moved into nursing care in 2020, where he was lovingly cared for until his passing.

A man of deep faith, Frank was a committed Christian who served in various roles at St. Pius X Catholic Church in Greensboro and later in a less formal capacity in Lexington. His generosity extended beyond the church; he was an Al-Anon sponsor and a helping hand to anyone in need.

Frank is survived by his wife, Faye Hepler Orren; his son, Michael Orren; and his stepson, Steve Hepler and countless friends who loved him.

Per Frank’s wishes, there will be no memorial service. In lieu of flowers, the family requests that donations be made to The Alzheimer’s Association or a charity of the donor’s choosing.

How to find a church in 2025

Last year, we moved from Dallas, TX to Lancaster, PA.

There are two things we miss from Dallas, and they’re intertwined — our friends and our church. We both came back to the church at Munger Place and were married there. And our ride-or-dies were largely from my small group made up of guys from a variety of Christian churches.

One would think it wouldn’t be hard to find a church in a town like Lancaster, but finding the right one for us has been a challenge. When we first got here I said I wanted to start with the geographically nearest church and keep working outward until we hit on the right one, feeling called to be in a “neighborhood church.”

Instead, we relied on online research and a quest for churches that matched our tastes. Up until this month, that search was futile. Whether it was theological nuance, music or preaching style, each visit turned up another “no.” And to be honest, we became less diligent about the search over time, instead leaning on our own Bible study and video sermons online.

The longer we’ve been here — just over a year now — the more we’ve felt a community-shaped hole. So just about any time I meet someone new, I quiz them about their church. At a business event a couple weeks ago, I met a gentleman whose church sounded like what we seek — a biblical, progressive, welcoming, authentic community of Christ. Moreover, it is literally the geographically closest church to our home, a crisp block away from our front door.

I’ve seen West End Mennonite Fellowship hundreds of times. I took note of it on our first visit to town. But in my ignorance, I discarded it because of its denomination.

What’s wrong with the Mennonites? In my uninformed mind, I had visions of Amish-type garb and isolationism, maybe some butter-churning. So we didn’t even consider it.

But after the conversation with the congregant, I did what I do these days when I’m trying to understand something unfamiliar.

I went to their Facebook page, where they stream services. I used Downie to download the most recent 23 (because that’s what fit on one listing page). Then I transcribed them all using Whisper. Finally, I uploaded all of those to Perplexity with this query:

Based only on the transcrips in the uploaded files in this space give me an analysis of this church. Is it biblically based? Is it strict? Conservative or progressive? Any red flags?

The result led me to visit . (Crystal wasn’t able to go, but eagerly awaited my scouting report.) Everything about the analysis, including red flags that were green in our eyes made me hopeful. I’ve now been four times and am certain we’ve found a church home.

This is the church’s mission statement:

“Welcome all people into a safe and healing community where we grow to be like Jesus and join Him in extending His kingdom to the world.”

While the worship is as deep as any church I’ve seen, there’s also a town meeting vibe. While the pastor leads, there are more than thirty different preachers over the year, including trained congregants. The announcements section is endearingly wheels off with usually over a half dozen speakers. The music is simple. The church appears to be in an old school and in the best ways gives off the vibe of mission churches I’ve been to in Nicaragua and Guatemala.

There are about thirty international flags hanging from the ceiling, each representing at least one local refugee who is a member of the church. My understanding is that there’s about 300 members, so that’s a remarkable percentage.

The preaching has been deep-text analysis with theology-school rigor and everyday relatability. Men and women preach and lead.

Hospitality is a cornerstone of this church. Folks are actively welcoming without being prodded from the pulpit. The first week on being identified as new, we were presented with a “legendary” date bread loaf made weekly for the purpose of welcome.

We’ve been traversing some rocky weather in our lives this season. But yesterday afternoon, I left with more peace in my heart than I’ve had since we moved here. We’re home.

The Silver-Tongued Devil is me

I try not to jump on the celebrity death train. Riffing of mine and Crystal’s favorite comedy show, “It behooves you, when a famous person dies, to make it about you and blame the year.”

That said, in my lifetime, I can only think of four celebrity deaths that ever shook me: Steve Jobs, Lou Reed, Johnny Cash…

and Kris Kristofferson. Tonight.

Kris made it OK to be an intellectual and a country music fan. For the younger among us, that was an insane concept even forty years ago. He encompassed everything a man could want to be: a decorated soldier; a Rhodes scholar intellectual; and an outlaw country icon.

I didn’t get into Kris deeply until my brother Houston brought him into my view in the 1990’s. We used to go into bars in Dallas late at night and sing this song at the top of our lungs:

“I took myself down to the Tally-Ho Tavern to buy me a bottle of beer
I sat me down by a tender young maiden whose eyes were as dark as her hair
And as I was searchin’ from bottle to bottle for somethin’ unfoolish to say
That silver tongued devil just slipped from the shadows and smilingly stole her away
I said hey little girl don’t you know he’s the devil he’s everything that I ain’t
Hidin’ intentions of evil under the smile of a saint
All he’s good for is gettin’ in trouble and shifting his share of the blame
And some people swear he’s my double and some even say we’re the same
But the silver tongued devil’s got nothing to lose I’ll only live till I die
We take our own chances and pay our own dues the silver tongued devil and I
Like all the fair maidens who’ve laid down beside him
She knew in her heart that he’d lied
But nothing that I could have said could’ve saved her
No matter how hard that she tried
Cause she’ll offer her soul to the darkness and danger
Of something that she’s never known
And open her arms at the smile of a stranger who’ll love her and leave her alone
And you know he’s the devil…”

We had the outer edge of his wisdom. Thanks to Kris we knew that we were both good and evil and all the things in between.

Later in life, in my most desperate times, Kris gave me a roadmap

“A couple of years back, I come across a great and wasted friend of mine in the hallway of a recording studio; and while he was reciting some poetry to me that he’d written, I saw that he was about a step away from dyin’ and I couldn’t help but wonder why. And the lines of this song occurred to me. I’m happy to say he’s no longer wasted and he’s got him a good woman. And I’d like to dedicate this to John and June, who helped show me how to beat the devil.

It was winter time in Nashville, down on music city row.
And I was lookin’ for a place to get myself out of the cold.
To warm the frozen feelin’ that was eatin’ at my soul.
Keep the chilly wind off my guitar.

My thirsty wanted whisky; my hungry needed beans,
But it’d been of month of paydays since I’d heard that eagle scream.
So with a stomach full of empty and a pocket full of dreams,
I left my pride and stepped inside a bar.

Actually, I guess you’d could call it a Tavern:
Cigarette smoke to the ceiling and sawdust on the floor;
Friendly shadows.

I saw that there was just one old man sittin’ at the bar.
And in the mirror I could see him checkin’ me and my guitar.
An’ he turned and said: “Come up here boy, and show us what you are.”
I said: “I’m dry.” He bought me a beer.

He nodded at my guitar and said: “It’s a tough life, ain’t it?”
I just looked at him. He said: “You ain’t makin’ any money, are you?”
I said: “You’ve been readin’ my mail.”
He just smiled and said: “Let me see that guitar.
“I’ve got something you oughta hear.”
Then he laid it on me:

[Sung:]
“If you waste your time a-talkin’ to the people who don’t listen,
“To the things that you are sayin’, who do you think’s gonna hear.
“And if you should die explainin’ how the things that they complain about,
“Are things they could be changin’, who do you think’s gonna care?”

There were other lonely singers in a world turned deaf and blind,
Who were crucified for what they tried to show.
And their voices have been scattered by the swirling winds of time.
‘Cos the truth remains that no-one wants to know.

[Spoken:]
Well, the old man was a stranger, but I’d heard his song before,
Back when failure had me locked out on the wrong side of the door.
When no-one stood behind me but my shadow on the floor,
And lonesome was more than a state of mind.

You see, the devil haunts a hungry man,
If you don’t wanna join him, you got to beat him.
I ain’t sayin’ I beat the devil, but I drank his beer for nothing.
Then I stole his song.

[Sung:]
And you still can hear me singin’ to the people who don’t listen,
To the things that I am sayin’, prayin’ someone’s gonna hear.
And I guess I’ll die explaining how the things that they complain about,
Are things they could be changin’, hopin’ someone’s gonna care.

I was born a lonely singer, and I’m bound to die the same,
But I’ve got to feed the hunger in my soul.
And if I never have a nickel, I won’t ever die ashamed.
‘Cos I don’t believe that no-one wants to know.”

Kris wrote songs that were magic, no matter who sang them. If you think you can name a bad version of “Me and Bobby McGee” or “Sunday Morning Coming Down,” I’ll fight you.

But, surprisingly for an outlaw country paragon, his greatest moments were his most Christlike, and most relatable.

Before covering “Why Me Lord,” Johnny Cash would say that God asked, “Why Me. Chris?” I’m sure he did.

But for me, to explain Kris, you need to see this moment: Sinead O’Connor had just torn up a photo of the Pope on Saturday Night Live. You can call that sacrligeous, but she believed what she was saying.

A week later, she was performing at a Bob Dylan celebration. She was booed off stage.

Kris, who probably disagreed with her, came out and embraced her, protecting her from the rabid crowd.

Kris beat the Devil. And he gave us clues on how to do it too.

Halftime

Update: We now have a CaringBridge page for folks who want updates.


Today, I announced my departure from DallasNews. The official notice is below (with some boring administrivia redacted), but i want to share some additional context.

Some context:

About eighteen months ago, I learned my Dad has late stage Alzheimer’s, something that he and my stepmom had out of intended kindness, kept from me. As an only child, I had to take control of the situation without any guardianship, power of attorney, useful documents or basically any information that would be helpful. From cross-country, I began problem solving, figuring out how to get him into care; how to pay for it; how to move him when the initial care was not enough and there was a shortage of beds available. It wasn’t easy, and continues to be a struggle as I get late-night calls frequently when urgent issues arrive. Then there’s the emotional side of that, including a side-dish of paranoia that I could be headed down the same road.

Then, in September, Crystal fell ill. We and our family doctor thought it was COVID, then chicken pox, then Mononucleosis, then a total mystery. She has continued to worsen in cycles over time and hasn’t had more than a couple consecutive days without fever in ten months. She can’t reliably go out, or do much of anything, without overheating, breaking out in worsening lesions, gasping for air or, most recently, losing consciousness.

The ins and outs of that are her story to tell, but what it means is that our lives and home have largely been turned upside down.

While we are blessed and privileged to have means and access to good medical care, what I didn’t have was the good sense to pay attention to my emotional state. It’s worn on me over time. I spent the first few months saying, “I’m always best in a crisis. Pile it on.”

Then, in arrogance and hubris, I’d say, “Me at my worst is better than a lot of people at their best. I can handle it.”

Then, I started trying to patch with a smidge of self-care, but wound up just feeling anxious that I was letting my people down by not being on my A-game in any aspect of life. I had ignored the advice I so often give, that in bumpy skies you need to put on your own air mask before assisting others.

Basically, I felt exactly like this:

I can’t encourage you enough to watch this video. Too many of us wind up feeling this way.

Over the last couple months, I finally began to realize that by carrying so much, I was making myself physically and emotionally unwell. I had conversations with our CEO, who was supportive and offered some really kind solutions, but I had to admit that anything short of a longer break felt like a half-measure.

So, I am taking a long sabbatical from all work. As I’m about to turn 50, I’m calling it my “halftime break.” It will be somewhere between six months and a year. Obviously, it’s not fair to leave DallasNews in the lurch over that period of time, so I’m fully stepping away. I believe there could be opportunities to reunite down the road, but that shouldn’t be on anyone’s radar at this point. DallasNews has the right team (that I helped build) and I am 100% focused on the business of the Orren family.

As news has come out in the office today, I’m overwhelmed with the offers of help and support, and I expect more of that is to come. So I’m going to share how you can help me:

Pray that we find answers on what’s ailing Crystal so we can begin treatments. If praying isn’t your thing, then just spend some moments mentally wishing us well and see if that bears some fruit.

Take an object lesson about the importance of self-care and mental health. I foolishly used to scoff at the idea of therapy or psychiatry. I don’t now. I also know that my gut-it-out mentality is not healthy in situations like this. I realize that we are beyond blessed and privileged to have the ability to check out of the world for a bit — most people don’t have that. But I also know I might not have gotten to the point of needing a full time out if I had taken care of myself in smaller ways over time. Don’t do what I did, especially if you work for a team as supportive of mine.

Don’t forget about me. I am not done building the future of local news and marketing, not by a long shot. Make no mistake, part of this is about me getting a breath so I can come back at full strength — tan, rested and ready. I figure if I’m lucky, I have a couple more shots at felling this windmill and I intend to do just that.

But help me take the break. I want to be very clear — the absolute earliest I will take on any work of any kind (besides the odd hobbyist DJ set) is early 2023. Even if the dreamiest dream job or the most exciting consulting opportunity rolls by in the next few months, I’m not here for it.

I am so grateful to everyone who has helped me in this decision and been so kind to us as we’re gearing up for a season of healing, reflection and growing in strength. We’ll see you on the other side.

My Wick Allison MBA

Wick Allison (1948–2020)

Yesterday, Dallas — and a specific group of brilliant writers, sellers, artists, accountants, hustlers, misfits and dreamers — lost a dear friend, mentor and father figure. D Magazine founder and publisher Wick Allison left us last night, taken by his umpteenth battle with cancer.

I haven’t worked with Wick daily since 1999; been in business with him since 2009; or seen him more than a couple times a year since 2012. But even absent this reason to think back on him, if you asked me who the three people who had most influenced my career and adult life, the answer would be Wick.

We alumni of D, almost regardless of era, share an inefable connection. (I say almost, because like the only other person I can think of so connected to his creation over so many years, Lorne Michaels, Wick had a relatively brief intermezzo in the early nineties.)

Having worked for Wick is an experience unto itself and connects us, for some ill, but mostly good. I could meet a stranger who worked for Wick for six months forty years ago, and we could have a daylong conversation without a lull. While the details might differ, the stories would rhyme. Within minutes we’d be finishing each other’s sentences, because the connection, the man, is indelible and familiar.

Keep Reading

Weekly spins: Folk Family Revival, EODM, Hollis Brown, Neil Young, Bob Dylan, Dylan LeBlanc, Rickie Lee Jones

If three makes a trend, I’ve got this weekly post nailed now. There’s an embarrassment of riches this week, so I’ll jump straight in:

I’ve got a big soft spot for this Texas band, whose heartfelt debut hit right as I was going through a rough patch at the top of the decade and served as the soundtrack of that year for me.

Longtime Folk Family Revival fans might be a smidge surprised by a harder-rocking concept album this time out. The concept piece is a double-edged sword, making it more difficult, but more rewarding to get into the new work. If you like Shooter Jennings concept stuff, or have been hungering for an Americana riff on The Wall, this is for you.


As I said last week, a good cover teaches you something new about the song and about the band playing it. On that basis, Eagles of Death Metal’s new one is a smashing success. I don’t generally dig EODM, but this eclectic compilation hit my sweet spot in the same way that Me First and the Gimme Gimmes does, without falling into the trap of everything sounding exactly the same (see Weezer’s recent outing). Bonus points for two(!) Kenny Rogers covers.


The first of two big lost-and-live releases, this is the most successful, a 1973 vintage Neil Young show that shows off both pristine acoustic takes and his rock, sans grunge style.


As much as I love me some Bob Dylan, and as excited as I am for the upcoming Scorsese documentary on this same topic, I just can’t do another live Dylan compilation, much less fifteen discs of it. There’s a point where completism creates a blur. I tried to get into the single-disc sampler, but nothing spoke to me.


Speaking of Bob, Hollis Brown, named for the Dylan classic, drops a new one that, like Folk Family Revival (above) stretches the band beyond its so-far typical Americana roots. This is a band that I love every time I hear them, but tend to forget later. Ozone Park feels like one I’ll remember.


Dylan LeBlanc is new to me, via a mention on the Bitter Southerner Facebook group. I’m liking his new outing which feels both retro-seventies and modern, while highlighting his Muscle Shoals heritage, via his father. The songwriting puts me in mind of mid-career Ryan Adams.


This is another fairly serviceable covers collection from Rickie Lee Jones that I might not have mentioned were it not for the death of her most famous duet partner this week. That said, her rendition of Bad Company’s “Bad Company” is worth a spin.


I didn’t predict how hard the loss of Dr. John would hit me this week. I loved his stuff before I knew what New Orleans music was about — and he’s been part of more wondrous supergroup moments than I can count. I love him best live, and this disc is the most indicative of the several floating around.


I figured it wouldn’t take long to have a “yeah, right” moment on my random spin of the week, with a too-serendipitous shuffle selection, and here we are. This Alabama 3 song is one of my all-time favorites (like literally top ten all-time) for me — and it happens that band cofounder Reverend Dee Wayne Love died a few weeks ago, just before I started these recaps.

Haven’t heard of Texas’ colonias? Neither had I before a mission trip showed me a Third-World American enclave

Flying back from South Texas yesterday, I found myself vacillating between anger and contentment. Contentment came from service work that my 28:1 men’s group brothers and I had done alongside a men’s group from Park Cities Baptist Church. Anger rose from the poverty, inequality, and squalor we saw in our own state.

Odds are, you’ve never heard of the colonias before. I hadn’t until we lined up this trip. In an informal social media survey last night, once I filtered out friends who grew up on the border, it looked like less than a third of Texans I know are aware of them. Keep Reading

Developers: Come build the printing press of tomorrow today at The Dallas Morning News.

If you know a full-stack or front-end developer who cares about local news, please share this with them:

I mentioned a couple months ago that I’ve gotten the opportunity to lead a product team here at The Dallas Morning News in a complete rebuild of our digital properties leveraging The Washington Post’s Arc platform.

I softplayed it at the time, as there were still a few pieces in flux. So I may have buried the lede:

This is the exact thing that I’ve wanted to do my whole career. Keep Reading

How a Flemish film rejuvenated my obsession with Americana music

Original post on Medium.

When Crystal and I fired up The Broken Circle Breakdown on the AppleTV last night, I was initially hacked off to discover it was subtitled. We had bought into it based upon the trailer, which outlined the film via its English-language music and visuals, and not realizing it was an Oscar contender in the foreign film category.

Not that I’m anti-subtitles. Crystal works for a US distributor of Asian and Indie film, which means that we watch more subtitled fare than the average household. (This also suggests I might have been more up to date on the Oscar nods as well.) Keep Reading

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